“这部电影的精髓是本该彼此凝视相互审判的人们最终因为电影被凝视被审判” (戈达尔语)一如他惯常的表达全片无时无刻不被疏离及内耗浸润着男与女、红白蓝、剧情与弦乐、奥德赛与新浪潮大概只有荷尔德林的狂诗和地中海的台阶是永恒的PS. Fritz Lang又出镜又植入自传的算是大彩蛋最后的胜利者韩国风俗媚娘集锦是弗里茨·朗象征的“电影”尤利西斯象征的“神话”大海象征的“自然”
Masterpiece. A Situationnist's bad dream? Hit the sweet spot at its most fundamental unit. Structure & plot may feel disjointed/incomplete, but if/once you get it, you'll get shivers, goosebumps & watery eyes. The absolute mind-fuck at every level & a subtle sublimated subversion